» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum

October 24, 2007
Rating: 8/10

Well, it's October, and this time of year inspires me to look back on the days gone by and think of ways to improve myself. What can I do better in 2008 than I did in 2007? Is there still time to make this year into a glorious, organized, and accurate Assault Upon The Oscars? That's right, A.U.T.O. The date for the 2008 Academy Awards might not be until the last Sunday in February, but October is Oscar time for the Howse. Starting in the fall, films large and small start coming out of the woodwork, out from under the behinds of the studios, which have been sitting on them, holding off through the summer in an attempt to optimize their chances of becoming Oscar contenders. The theory is that if the film is fresh in the minds of the Academy, it will have a better chance of garnering attention than if it had been released in July.

The fact that the Academy sorely needs to be purged and repopulated notwithstanding*, it is a little sad that those fantastic films already released this year might be looked over as a result. Last year I bungled it. I didn't do enough research on the nominated films, made some predictions that were way off, and ended up having to watch Freaky Friday while everyone ate really complicated cupcakes that I made myself.

I hate losing bets.

This year I'm keeping my eyes and ears open, my browser parked at rottentomatoes.com, and my fingers on my Regal Cinema card. We gotta stay on top of these films, people. My "I know the stupid Academy so well that I have it down to a pathetic predictable science" position isn't going to hold water if I continue to get predictions wrong (I can't believe I overlooked Forest Whittaker for that Best Actor award last year. Biopics! Dictators! Africa! That role was made for the Oscars! Tailor made! Wake up, Howson!).

The first clear intentional contender this season is 3:10 to Yuma. Even the insane people I know who hated Stardust (?!?), loved this James Mangold Western. I had heard so much about it, and it was so universally celebrated that I sat in the theater during the previews, pre-basking in the glow. "This movie is bound to change my life," I thought happily.

Well, yeah, it was good. It was great, even. Westerns seem so nice and fresh and outdoorsy and bloody at the moment. After all the flashy special effects we were treated to all summer, 3:10 to Yuma jump-starts those parts of our brain that have been sleeping for the last few months. Mangold's remake of a 1957 film of the same name focuses on pride, honor, and damn good filmmaking. I thought Russell Crowe had long ago decided to conserve the energy needed to deliver a great performance, but it turns out he still had another good one in him. Or maybe the cold, deadly character of Ben Wade, head of a fearsome gang of stagecoach robbers and ne'er-do-wells, finally lit a fire under Crowe. Whatever the inspiration was, it worked. He is both chilling and weary at the same time, wryly submitting to the makeshift posse charged with transporting him to the prison-bound train.

Desperate to save his farm and earn back a little of the confidence of his family, struggling rancher Dan Evans (Christian Bale) squares his shoulders and agrees to join the crew. The ensuing journey is a little predictable (everyone learns a little about each other and themselves, et cetera) but spotlights one of the reasons movies rule -- long, painful close-ups of the faces of excellent actors who know how to make minute changes of expression to reflect the various psychological ramifications of their situation. Who knew that Christian Bale clenching his jaw to the tune of a single dulcimer (Marco Beltrami's score is one of the prime tone-setting elements of the film) would be enough to accelerate the pulse and dampen the brow?

Because of such emotional responses, which can occur throughout the film, I think it'll probably be a Best Director nomination for this one, rather than Best Picture. It wasn't mind-blowing enough as a whole to warrant the latter, but the manipulation of the medium to create moods and emotional responses via Christian Bale's jaw is an example of directing at its best.** Speaking of prominent jawlines, 3:10 to Yuma does hold a special place in my heart for the best cameo role ever, but unfortunately the Oscars don't take place in my heart this year. Or any year, for that matter, since that incident in 2002 when my heart went a little crazy and Dwayne "The Rock" Johnson won every possible award for his stirring performance as the lead in The Scorpion King.

I'm back to reality this year though, and I'm keeping score. I know your game, 2008 Academy Awards, and as Christian Bale is my witness, I will never lose an Oscars bet again.

* If filmmakers as a group were the best judge of films, why is M. Night Shyamalan turning out crap every other year?
** Even though the Academy has tended to shower with praise Russell Crowe films that are much, much weaker than this one, I can't see it taking even a Best Picture nomination. True, the Academy often honors films that aren't mind-blowing, but they have to be about racism or a dead musician. Or both!

SEE ALSO: www.oscar.com
SEE ALSO: www.310toyumathefilm.com

Susan Howson
A staff writer attending graduate school in Richmond, VA, Susan Howson cannot be persuaded to stop talking about movies.

See other articles by Susan Howson.



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