» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum

May 19, 2008
RATING: 8/10
Since his 1968 debut, Night of the Living Dead, director George Romero has used the zombie movie to artfully, skillfully, and gorily comment on the socio-economic condition of American society. Yes, Romero has made some other films along the way, but none hold up to the quality of his Night of the Living Dead legacy. From the excellent 1970s sequels, Dawn of the Dead and Day of the Dead, to his 2005 return to the genre, Land of the Dead, Romero has proven himself a master of form, style, and social commentary. His most recent entrant into the series, Diary of the Dead, available on DVD May 20th, is perhaps the weakest when considered within the context of the rest of the Dead films, and it further suffers from failing to fall within the sequence of the series. But it is a fine horror movie, nonetheless, with both sharp wit and the requisite disembowelings and flesh eating that fans of the genre have come to expect.

Diary of the Dead lies squarely within the tradition of The Blair Witch Project, Cloverfield, and Brian DePalma's Redacted. It's a movie within a movie of sorts, or more precisely, it's a pseudo-documentary about the making of a film that goes wrong. Filmed entirely from the perspective of the DV-cam-wielding student filmmakers who make up the core cast, Diary is a product of our media-saturated age. A group of college kids is making a horror movie out in the Pennsylvania woods when they hear over the news that the dead are coming back to life. They abandon their project and pile into an RV to try to find out what's going on. Director Jason Creed (Joshua Close) decides to film everything that is happening, to capture "history," as he puts it. Although his girlfriend, Debra (Michelle Morgan), is initially resistant to the idea, she slowly warms up to it, continuing the filming after Jason is inevitably killed, and it's from her perspective that the film is narrated.

The commentary of Diary centers on our obsession with and distrust of the media, and the positive and negative qualities of a medium where news and entertainment are often indistinguishable. Jason can't put his camera down, even when his friends are being attacked, and when he passes it off to someone who is initially opposed to filming, given the circumstances, they, too, soon can't resist the urge to capture the proceedings. As the world descends into chaos and the mainstream media falls off the map, it's the YouTube and blogger generation who carries on, updating on what's really going on via websites and camera phones.

Romero intersperses footage of real-world chaos into his setups, using, among other things, what looks like Hurricane Katrina aftermath photography. It is effective and eerie to see how easily this b-roll news footage can be seamlessly applied to a zombie movie. The shaky, first-person camerawork will certainly not appeal to those who are made nauseous by a Lars Von Trier film, but it works in this context, largely due to the clever editing and Adam Swica's adept photography. Bonus features of the DVD release include a commentary from Romero, Swica, and editor Michael Doherty, a "making of" featurette, "character confessionals" that were supposedly deleted from the film, and a featurette on the inspiration behind the film.

As Romero himself says in one of bonus featurettes on the DVD, Diary of the Dead is most similar to Night of the Living Dead, in that it's an origin story, a story of people just beginning to deal with the zombie plague, rather than a story of people surviving in a zombie-dominated world. So it makes perfect sense that the classic should be released in a re-mastered edition on the same day as Diary.

In 1968 Night of the Living Dead was a movie way beyond its time, in both the way it advanced the horror genre and in how it utilized the genre as a medium capable of delivering a powerful message. We all know the story - a group of people is trapped in a country house, attempting to survive the onslaught of reanimated corpses. This is the great-granddaddy of the genre, and it still holds up amazingly 40 years later. Yes, this classic is now almost half a century old - pretty hard to believe. Judith O'Dea as Barbra is the hysterical, impotent blonde, who only makes it as far as she does thanks to the sensible Ben, played by African American actor Duane Jones. Much has been made of Romero's casting of a black man in the role during the Civil Rights era, a time in which such a thing was fairly uncommon. The director, in past interviews, has claimed ignorance on the matter, saying that he simply cast the best actor for the role, regardless of race. Maybe so, but whatever his intentions were, it's hard to argue with the symbolism and importance of the decision, even now. For those who haven't seen the film, avert your eyes: when Ben is killed by a group of trigger-happy rednecks at the film's end, the irony is sad and poignant, especially over the documentary-style photo montage of the end credits.

This "director-authorized" edition of Night of the Living Dead is full of bonus features, including: two commentaries with Romero and members of the cast, a feature-length documentary, a Q&A with Romero, and an interview with actor Duane Jones. Politics and social significance aside, Night of the Living Dead was truly an innovation of horror and is rightfully considered a landmark film of any genre, and should be required viewing for any student of film.

TRAILER: Diary Of the Dead.
TRAILER: Night of the Living Dead.
FULL FILM: Night of the Living Dead.

SEE ALSO: www.homepageofthedead.com
SEE ALSO: www.diaryofthedead.co.uk
SEE ALSO: www.dimensionextreme.com

Jonah Flicker
Jonah Flicker writes, lives, drinks, eats, and consumes music in New York, via Los Angeles. He once received a fortune in a fortune cookie that stated the following: "Soon, a visitor shall delight you." He's still waiting.

See other articles by Jonah Flicker.



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