» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
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Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum

April 15, 2008
Next Month Brooklyn-based lensman Peter Beste, the documentary photographer noted for his image collections on the Houston rap scene and London's grime explosion, along with commercial works for record labels and trade magazines, will publish a series of images from his extensive portfolio of portraits from within the darker corners of Scandinavian music.

Aptly titled True Norwegian Black Metal, the volume will be published by Vice Books and is touted as "a photographic narrative that explores black metal from a truly visceral perspective." Beste has been involved in the metal scene for years, and after shooting several Norwegian acts for promotional photos and magazine spreads he began assembling collections of images which, taken out of their musical context, proved quite remarkable. The more Beste worked within the genre the more able he was to extensively document it and, having "earned the respect and trust of this impenetrable, suspicious and often elitist community," the larger his collection grew. After eight years the photographer had become a de facto authority on an unassumingly large musical subculture, a genre that had spawned a micro-economy worth millions of dollars and secured for itself an edgy, if somewhat frightening, mainstream reputation.

Realizing the unique nature of the images, which captured striking faces and looming poses from imposing, often ghoulish figures, Beste packaged collections in limited editions - there is a 2005 series of 3000 released in Japan, which was issued in "a large dictionary sized cardboard box which unfolds into an upside down cross" - and set off an ouroboros that would see heavy-metal magazines doing stories on his collection of images that were originally shot for heavy-metal magazines.

After the better part of a decade Beste's coverage of the "unique subculture in the context of Norway's magical landscape, mythological background, and strong sense of culture" was extensive and the American documentary photographer's perspective of the obscure niche began to circulate in underground media. His photos were featured in Arktip No.0038 and memorialized on a limited edition shirt print (a heavy metal rite of passage one would assume). Earlier this month, MTV's Headbangers Ball Blog posted a podcast interview with Beste.

Beste's image for Arktip No.0038

To put his work in context, Vice paints the backdrop of Beste's images not as the Myspace-driven multimediaplex of 2008, but the emergence of metal in Norway a decade ago: "In the early-mid 1990's, members of this extremist underground committed murder, burned down medieval wooden churches, and desecrated graveyards. What started as juvenile frenzy came to symbolize the start of a war against Christianity, a return to the worship of the ancient Norse gods, and the complete rejection of mainstream society."

Though it certainly sounds evil, Scandinavian hard rock isn't as scary as Vice's True Norwegian Black Metal marketing makes it out to be - "a subculture and musical genre that is often violent, misunderstood and shrouded in secrecy." It is certainly fascinating to look at however, and the music's practitioners (and fans) look foreboding in Beste's snapshots. The photographer also produced a five-part documentary short film for VBS.TV earlier this year on Gaahl, one of the scene's iconic staples, and his band Gorgorot. The multimedia is entertaining, but Beste's still images, which will be presented in a series of gallery showings beginning in May, are truly captivating.

To celebrate the launch of the Vice collection of Beste's Norwegian metal portraits, the Steven Kasher Gallery on West 23rd Street in New York will be mounting a selection of images from the 216 page photobook, with the show's opening night reception scheduled for May 9th, from 6-8pm. The show promises to be a collection of "intense and remarkable photographs of unparalleled artistic integrity." There are plans for London, Stockholm, Oslo, Berlin, and Los Angeles showings of Beste's work from True Norwegian Black Metal to follow.

VIDEO: www.vbs.tv/true-norwegian-black-metal

SEE ALSO: www.peterbeste.com

Eric J Herboth
Eric J. Herboth is the founder, publisher and Managing Editor of LAS magazine. He is a magazine editor, freelance writer, bike mechanic, commercial pilot, graphic designer, International Scout enthusiast and giver of the benefit of the doubt. He currently lives in rural central Germany with his two best friends, dog Awahni and cat Scout.

See other articles by Eric J Herboth.



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