» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
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Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum

August 28, 2006
Rating: 7/10

I make no apologies for my youthful passion for all things Zep. My friends and I celebrated everything from John Bonham's 20-minute drum solos to John Paul Jones' cheesy production on In Through The Out Door. Whether you like it or not, Led Zeppelin changed the face of music - that is indisputable fact. Punks hate the idea of Jimmy Page's egomaniacal guitar solos, Zeppelin's inflatable stage props and songs that, on average, cross the six-minute mark. Though I must confess that, never having been a punk myself and having an open mind about what constitutes good music, the sexy swagger of Robert Plant and the violent swerve of Iggy Pop are not dissimilar. One thing I definitely take issue with however is the notorious way that Page and Plant, in particular, took credit for the work of other musicians, a subject that is directly confronted in this probing documentary.

Origin Of The Species focuses on the musical influences that shaped Led Zeppelin's sound. The amazing thing about the film is that it clinically examines some of the specific artists and songs that were borrowed from or outright stolen for the creation of Led Zeppelin I and Led Zeppelin II. The film focuses most heavily on Jimmy Page as his career in The Yardbirds came to a close and he began to assemble the members of what he then could scarcely imagine would become the biggest rock band in the world. Due to budgetary constraints, those interviewed here are not members of the band. Chris Dreja, one of Page's bandmates in the Yardbirds, discusses Page, while writers, critics and other session musicians discuss the rest of Zeppelin's lineup. Dreja is really the only interesting interviewee, which ends up being an acceptable admission since the interviews, in large part, take a backseat to the live Zeppelin performances, including a TV performance by a teenage Jimmy Page playing with his Skiffle band. The Zeppelin performances are also juxtaposed with performances of the music and musicians that they so heavily borrowed from.

The film begins with a discussion of the band members, footage and archival photos showing Page, Plant, Bonham and Jones before they assembled as a solid unit. The focus remains mostly with Page and discusses his studio work, his stint with The Yardbirds and his eventual formation of Led Zeppelin. Snippets of Robert Plant's work for CBS Records are also featured here. Peter Grant, Zep's notorious road manager, worked with Page to assemble the group which, despite varied musical backgrounds, had a common obsession: The Blues.

In spite of that common ground and the significance it held for what would come to bear, the members of Zeppelin felt little compulsion to give their blues heroes any credit. On the song "Bring It On Home," for instance, Robert Plant spends the first few minutes rather poorly imitating the voice of Sonny Boy Williamson. "Whole Lotta Love," stolen from blues bass player Willie Dixon, was subsequently attacked for outright plagiarism. One of the most interesting elements of Origin Of The Species is its examination of Zep's sphere of influences beyond the blues. Anne Briggs' interpretation of the classic folk tune "Blackwater Side" seems to be an almost blatant source for the Led Zeppelin I track "Black Mountain Side." Another Folk tune that bore a direct influence was Jake Holmes' "Dazed and Confused," which was credited to Jimmy Page despite being an overt cover tune. One of Origin Of The Species' most striking themes is the portrayal of Page as an exceptionally talented and eager student who rarely gave his teachers due credit. It should be said, however, that the film gives Page no recourse in the face of such attacks on his credibility, considering his lack of participation in the project. Indeed, the film contains nary an interview with him.

The lack of better interviews not withstanding, Origin Of The Species is worth watching. The historical context in which the film presents Zeppelin's songs is crucial to the perspective of any sincere lover of music. In today's music industry, where bands regularly utilize direct sampling while simultaneously trying to avoid copyright infringement, this documentary is particularly relevant. Origin Of The Species is an interesting and entertaining look at the influences of one of rock music's most influential bands.

SEE ALSO: www.led-zeppelin.com
SEE ALSO: www.mvdb2b.com

Jon Burke
A contributing writer and a Chicago resident who will not be goaded by LASís editor into revealing any more details about his potentially sordid affairs.

See other articles by Jon Burke.



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