» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum

May 22, 2007
Rating: 6.5/10

The first Sam Raimi-directed Spider-Man ended with Peter Parker (Tobey McGuire) coming to a sad conclusion - "the ones I love will always be the ones who pay." He says the line with such helpless despair; as if fate dictates that in order to achieve a greater good he will necessarily harm friends and family. From the death of his uncle to the torment of his best friend Harry, the events of the first two films seemed to justify this fear.

While on the surface Spider-Man 3 deals with Parker's obsession with newfound power and fame, at heart it's still about overcoming the initial loss of his uncle. Spider-Man holds himself responsible for what happened, and overcompensates for his shame with an extreme desire for revenge (which only creates more guilt). In the last film it led him to kill whom he thought was his uncle's murderer, and this time it will completely consume his life.

This concept of revenge and guilt also devours the film, emerging as the driving force behind four of the five main characters. Eddie Brock (Topher Grace), a young photographer just like Parker, is a villain who personifies Spidey's thirst for revenge - literally emerging as Venom out of the black suit he discards. Then there is Harry, who looks to avenge the murder of his father by killing Spider-Man, whom he thinks is the responsible party; and Sandman (Thomas Haden Church), an ex-con on the road to forgiveness thwarted by bad luck and fits of anger. In forgiving these many foes, Spidey finally learns to forgive himself.

Yet within this impressive web of symbolism and metaphor lies Spider-Man 3's biggest problem; there is simply too much of the same thing in there. You could throw a hundred villains into the mix and still make it work if they all had something different to say. But the central point is made - and made quite effectively - with any one of those foils mentioned above. Raimi's decision to stuff so many similarly driven ideas into one film make the total impact far less than it could have been.

The real appeal of this story is the prospect of Spider-Man's greatest nemesis being himself - but on screen Parker's dark side is overshadowed by that of his enemies. It's not - as some critics have suggested - that Parker isn't "bad" enough as the black-suited Spider-Man. In truth, while under the spell of greed and guilt, he assaults Mary Jane (Kirsten Dunst), ruins Eddie Brock's life and attempts murder on yet another man accused of killing his uncle. But there is no contrast in this film, and one can't measure the extent of Spider-Man's internal revolution when his enemies have such similar motives as him.

Despite all that, the other goodies over-stuffed into this film do deliver. From the brilliance of a Bruce Campbell cameo to the absurdity of two musical numbers - Raimi shows his mastery of large-scale entertainment. There are beautiful SFX involving Sandman and a particularly rousing rescue scene with Gwen Stacy (Bryce Dallas Howard). In the past (particularly in Spider-Man 2) the drama between the characters was equally intense as the visual thrills, however as the story has grown familiar and our attentions have been dragged in so many directions - the emotional finale falls flat this time.

SEE ALSO: spiderman3.sonypictures.com

Imran Siddiquee
Imran Siddiquee is a freelance writer pursuing self-expression in all its forms. This includes the occasional contribution to LAS as well as writing blogs, essays, short stories, an unpublished novel and some screenplays. He also creates horribly amateur music with his brother Yusuf.

See other articles by Imran Siddiquee.



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