» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum
Bat for Lashes
Two Suns

Rating: 8/10 ?

July 8, 2009
If the otherworldly cover of Natasha Khan's sophomore release as Bat for Lashes hints at anything (besides a little graphic design prowess), it's that the British chanteuse has returned after two years with some fresh, divine teachings. With her aptly-titled backing band Blue Dreams, Khan has expanded on her 2007 debut Fur and Gold by creating a "destructive, self-absorbed" alter ego named Pearl, adding lush electronic elements and collaborating with the iconic Scott Walker and current beatsmiths Yeasayer.

The slightly pretentious concept, though, is balanced by the equally lavish music and specifically Khan's voice. The singer's enchanting, irresistible pipes are the focal point throughout Two Suns, whether she's dramatically crooning over Yeasayer's shuffling, tribal beats on opener "Glass," backed by a choir on the bluesy-gospel "Peace of Mind," or channeling her inner Stevie Nicks on the album's centerpiece "Daniel." Haunting, dark and insanely catchy, the song, like its accompanying, Karate Kid-honoring video, is a welcome trip back to the 1980s' new wave apex.

But the seductive dance alongside her mystical predecessors like Ms. Nicks and Kate Bush is tempered by Two Suns' odd, yet intriguing "The Big Sleep." Joining forces with Walker in the brief, Phantom of the Opera­-like finale, Khan's heavenward delivery is outmatched by her counterpart's doomy bellows and gothic ivory tickles. It's a fragile yet fitting end to a dreamy opus that'll just as easily bend the pop construct as it would fit in it.

Reviewed by Kiran Aditham
When not contributing to LAS and other music/film publications, Kiran Aditham toils away during the day in Manhattan as a reporter for an advertising magazine…though he’d rather not say which one.

See other reviews by Kiran Aditham



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