» Full Dark, No Stars - Stephen King's new novella questions mankind's ability to trust others.
[02.21.2011 by Bridget Doyle]


 » The Top 30 Albums of 2010 - Fashionably, fabulously late, our favorite music (and believe me, there was a LOT) of 2010, the year that some have called the best year for music ever. And only some of those fools work here. Plenty of usual suspects, lots of ties and a few surprises that I won't spoil, including our unexpected #1.
[12.24.2010 by The LAS Staff]


 » Live: Surfer Blood/The Drums at Lincoln Hall, Chicago, IL - Remember when Weezer used to put together records that you could sing along to and rock out to? That's what Surfer Blood's show was like!
[11.04.2010 by Cory Tendering]

Music Reviews

Screaming Females - Castle Talk
»Screaming Females
Castle Talk
Don Giovanni
Trent Reznor & Atticus Ross - The Social Network [Original Soundtrack]
»Trent Reznor & Atticus Ross
The Social Network [Original Soundtrack]
The Null Corporation
Deerhunter - Halcyon Digest
Halcyon Digest
No Age - Everything in Between
»No Age
Everything in Between
Sub Pop
Robyn - Body Talk Pt. 1/ Body Talk Pt. 2
Body Talk Pt. 1/ Body Talk Pt. 2
The Walkmen - Lisbon
»The Walkmen
Fat Possum
Disappear Here

Rating: 7.3/10 ?

April 5, 2010
The two elements that have defined Hybrid's music since they unleashed their sublime 1999 debut Wide Angle remain: thunderous breaks and orchestral sweeps fit for a film's most dramatic moments. Though the blueprint has remained intact (save for an increased vocal presence throughout later albums like Morning Sci-Fi and I Choose Noise), Mike Truman and Chris Healings have continued to defy the now-prehistoric idea that electronic artists are nothing but studio rats who push buttons onstage and aren't "real musicians."
Nay, the Welsh natives' sensibilities are a tad different than those of your average DJ-turned-producer and their latest, Disappear Here, proves it. On the opener "Empire," for example, the duo employs not only live drums and guitars, but the City of Prague Philharmonic Orchestra(!) to bring that cinematic atmosphere to life and deliver a track that even blown out to that proportion still sounds like classic, polished Hybrid. Of course, the big change on Disappear is the addition of third member Charlotte James, who it seems was brought in to help flesh out "real songs" according to their one-sheet and whose presence is almost immediately felt on the aptly titled "Can You Hear Me." (We can!)
James proves her worth even more when she tempers the menacing deep-house cut "Original Sin" or plays angelic siren to the Middle Eastern-flavored breakbeat juggernaut "Break My Soul." Time will only tell whether the James experiment continues beyond this, but with Truman and Healings still steering the ship and putting out quality music ten years on, all in the face of total unfashionability, it's unlikely they'll disappear into the strobe-lit, fog-filled void like many of their former colleagues from the heyday of "electronica."

Reviewed by Kiran Aditham
When not contributing to LAS and other music/film publications, Kiran Aditham toils away during the day in Manhattan as a reporter for an advertising magazine…though he’d rather not say which one.

See other reviews by Kiran Aditham



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