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CINEMA

 » Blood into Wine - Any big fan of Maynard James Keenan knows that the Tool/A Perfect Circle/Puscifer frontman has been living a double life for the past several years as a winemaker/entrepreneur. But seeing as the charismatic Keenan is not the most media-friendly of musicians, it's a rare feat to get an in-depth glimpse into what the man's other passion project entails.
[08.26.2010 by Kiran Aditham]

LITERATURE

 » The Red Queen - Phillipa Gregory revisits England during the War of the Roses.
[08.23.2010 by Bridget Doyle]

COLUMN

 » Missed the Boat #6: Supergroups and Solo Surprises - In a time when more albums than ever are being made and fewer publications can afford to exist, more gatekeepers than ever are needed to separate the wheat from the chaff. Here's this month's batch of unreviewed but worth your time records that may have been overlooked.
[08.16.2010 by Dan Weiss]

Music Reviews

Secret Cities - Pink Graffiti
»Secret Cities
Pink Graffiti
Western Vinyl
Arcade Fire - The Suburbs
»Arcade Fire
The Suburbs
Merge
Best Coast - Crazy for You
»Best Coast
Crazy for You
Mexican Summer
The Roots - How I Got Over
»The Roots
How I Got Over
Def Jam
M.I.A. - /\\/\\/\\Y/\\
»M.I.A.
///Y/
N.E.E.T.
The New Pornographers - Together
»The New Pornographers
Together
Matador
Nice Nice
Yesss!
Augraglint Records

Rating: 6/10 ?


June 20, 2005
Nice Nice's neurotic big band sound draws on the double rhythms and stop-starts of juggernauts like Akufen and Nudge while also incorporating a jumble of off-color bursts of brass, sun bleached harmonies and enough production dirt to satisfy the goriest of heads.

Spread over five songs, with remix's crafted by Stars As Eyes, Caural and DJ Rupture, this avalanche of analogue beats and jaunty electro arpeggios marks a drastic shift away from the spiky free jazz of their previous effort, Awesome.

It's a territory largely uncultivated, however, and Nice Nice appears in possession of the tools required to harvest its unsullied crops. There is a sticky, sweaty throb beneath each piece, providing form and stability to the Technicolor explosions which renew themselves again and again in euphoric waves of sound.

A notable piece, "Uh-Oh" lays down huge shifting clouds of sustained drone over which the group plants bright chord stabs and wet beats that pop with all the vibrancy of a rainbow colored soap bubbles. With nary a moment for rest, "Control Your Area" grinds away at a raw bass line recalling Cabaret Voltaire while handclaps, tongues of e-bow and hi-hats stutter underneath.

Indeed, like attending a rave, this effort is about engulfing ones presence in the feverish images and stanch series of sounds; on the other hand, other works hide an unabashedly romantic melodicism within its clatterbox rhythms. Standing out form the rest, the title track spills a baroque take on melodic psychadelica bolstered by a battery of horns, bells and acoustic ethnic instrumentation. The piece seems to move at two speeds at once, with chiming guitars moving forward at a measured pace while nervous ornamental pings and tumble-dry techno leapfrog ahead.

Of great hindrance to this work, though, are the rather unassuming remixes; each lacks the original's devilish quirks, bringing forth bland repetitions that would have been better left off altogether. On their own, Nice Nice are curiously hushed and noisy all at once, as though built from a chorus of snaps and whispers. Yesss! is dense, dizzying and above all, ardent din.

Reviewed by Max Schaefer
Nocturnal qualms and eyes that brim like lamps betoken slender sketches, poetry and short stories strewn alongside piano playing, a fiddling of knobs and murmured dialogue with a medley of electronic gizmo\'s. A twenty-one year old person lodged within the University of Victoria, Max harvests organic sounds on a sullen sampler, watching water unwind like two broad lengths of ribbon and nursing a book below the canopy of a cheery-tree. Max believes that the world is made present by people\'s presence in it and that art is one such way in which a distinctive disclosure might be crafted.

See other reviews by Max Schaefer

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